couldn't get past a minute of that.
either way, I finally saw the movie and since you can use Mara's wig as the tell-tale sign of reshoots, what bothered me most is that they seemed unnecessary. Worse, they are used to give a line of exposition for the next scene where we are shown the exact same thing.
It becomes really jarring at the end of course, particularly because the one before the last one is clearly Trank's version, with the four finally asserting themselves as their own, and then the final scene is a reshoot with an avengers-like ending, which is a really strange contrast between the two.
I did like the combination of Doom with the living planet / Galactus (which it could still be turned into should a sequel ever get made), even though that wasn't what was shown, but with that script article in mind, that reference seemed obvious. Doom was trying to 'consume' Earth into his new home after all.
It's just that the fight itself is out of place and has the worst example of 'reshoot exposition line' with Reed somehow just knowing Doom is the source for it.
Two other notable examples are the power 'explain' scene, then followed directly by the exact same scene after that (meaning the reshoot scene wasn't required), and the one where they give Mara the line 'like a pattern' when the movie has an overly long scene at the beginning that explains all that directly. At least Trank understand 'show, don't tell' as far as exposition-into-later-scenes goes. The reshooters clearly do not. Like, 'how did Johnny learn how to fly' would be rather obvious thing to show somewhere and not just 'oh that's a thing now'.
I think Trank could have made a really decent origin story, if I discount the reshoot scenes. My real opposition to it is however that they are supposedly teens (which they're clearly not, but then neither is Jennifer Lawrence in The Hunger Games, so 'eh' I guess), and the fact that it took too long to get to the Inciting Incident. I realize that it would have been about family ( the adoption theme plays to 'family of choice' versus the one you're stuck with), but the 2005 movie got to the point in 10 minutes. This one waited until about halfway in, without providing the build-up or subplot (like say, Jurassic Park's T-rex paddoc one hour into the movie, but with a dinosaur on screen at exactly 20 minutes, right on cue for the Inciting Incident) to validate that delay.
I suppose the machine itself was supposed to be that scene, but that means there was a scene (like say, a misfire) missing before they send the chimp. I don't feel it took too long to get to that point, but the minutes long scene with Reed and Sue slowed everything to a crawl and was never paid off (particularly because a reshoot line ruined it).