Thought they were gonna cop out when they sat down with Paige but wow they actually told her
Also I wanna watch tootsie again after seeing it in this episode lol
Lol YES! Henry also doing Eddie Murphy lol.Needs more Henry creeping on Mrs. Beeman.
Between the breaking and entering last year, well-hidden porn stash, and (I can only surmise) snooping for Sandra artifacts whilst Stan was down in the basement, Henry's ripe for recruiting today.
In this installment about the 10th episode, Stingers, Holly Taylor, who plays Paige Jennings, and editor Dan Valverde join script coordinator Molly Nussbaum and executive producers Joel Fields and Joe Weisberg to discuss one of the biggest moments in the series thus far.
Holly Taylor breaks down the big reveal in Wednesday's episode of the FX drama.
I was hoping for more mail robot. Like possibly escalating the conflict between it and Agent Gaad. Oh well, there's 3 more episodes.
This was such a huge moment, and it seems unmatched on the show so far. You guys dont seem to really rely on big moments. Whats the balance you try to strike between taking big narrative chances versus staying the course for a slow-burn?
WEISBERG: Its funny. Theres no question, were a slow-burn show. Im not sure were even burning. By the time we started season 2, I dont think we were really in much of a philosophic or dramatic discussion anymore about the payoff of all of this. Were just telling the story at the pace the story goes. This Paige moment came at the time when we wanted it to organically pop up, and were going to continue to follow it. Were not in a hurry one way or another to take the next beat in that story.
FIELDS: We dont think or discuss much the idea of that kind of structure or those kinds of choices, slow-burn versus propulsion. We do follow the story. I think when good drama is really working, it takes on an inevitable quality, not a predictable quality, where youre just following where the characters are going.
Does that explain why this Paige reveal happens several episodes ahead of the season finale?
WEISBERG: I think youre exactly right. Its just not the style of the show to drop this at the season finale and therefore urge everybody to come back. That would be something that people who wanted big ratings would do. [Laughs]
FIELDS: Ill tell you another benefit of it. To pitch to a small choir, the benefit of doing it this way is that if youre trying to get to something, youd be more likely to end up with Philip and Elizabeth sitting her down to tell her, whereas if youre leaving it open to when its going to come up organically, youre more likely to surprise yourself with Paige waiting for them and asking them. You dont have an idea fixed in your head.
You were just renewed for season 4, and FX has mentioned at least five seasons. Does your endgame take you beyond season 5?
FIELDS: [FX President] John Landgraf, at the last TCA, was asked about the future of the show, and I believe the quote was, he said he sees this as at least a five-season show. And right now, Joe and I talk about an end a lot because it helps guide us towards what the current seasons are, but I dont think were in any sort of endgame at this point. Theres a really long and interesting story to explore here. We hope well be able to keep telling it.
I loved the direction in the scene. Particularly, I loved Philips tiny nod
BOTH: Yes!
WEISBERG: Isnt that the best tiny nod ever? There should be an Emmy for tiny nods!
You were just renewed for season 4, and FX has mentioned at least five seasons. Does your endgame take you beyond season 5?
FIELDS: [FX President] John Landgraf, at the last TCA, was asked about the future of the show, and I believe the quote was, he said he sees this as at least a five-season show. And right now, Joe and I talk about an end a lot because it helps guide us towards what the current seasons are, but I don’t think we’re in any sort of endgame at this point. There’s a really long and interesting story to explore here. We hope we’ll be able to keep telling it.
Honestly, to me, this kind of borders on delusional. Chalk it up to my limited understanding of cable television ratings, but I would think these guys see the end in sight. Show can't live on the good will of Landgraf forever, can it?
Honestly, to me, this kind of borders on delusional. Chalk it up to my limited understanding of cable television ratings, but I would think these guys see the end in sight. Show can't live on the good will of Landgraf forever, can it?
Holly is a good egg.
I think I'm reading that differently. Fields seems to be referring to the series being envisioned by the FX president as a five-season show, and that it might be too early for that to be an endgame.
It reads to me like Landgraff is committed to 5 seasons with the current ratings situation the show is in. Hence "at least a five season show." If the shows starts to get better ratings then more seasons aren't off the table. The J's have talked about an ending, but aren't in endgame mode because they have a 4th season confirmed and a 5th season seemingly a given. Until they are told "this is your last season" they probably won't be in endgame mode until they've told the full story they want to.
asking them to speak Russian
I was so happy when she asked them to do that. It would have been the first thing that I asked my parents if they told me they were Russian spies.
And I'm a bit slow - so the defector is in fact working with the Russians? Is this the first time this has been confirmed or have I just not been paying attention?
The look always serves the story. Go behind the scenes to meet the man responsible for the cinematic feel of The Americans.
Much more via the link.Rutkowski sums up the shows approach to conveying the underlying theme of deception and volatility that permeates The Americans: We shoot through thingsa doorway or a group of objectsand place the character inside a frame within a frame. We also like to leave people low in frame and put a lot of headroom in the shot that helps show their environment and represent their state of mind. The show revolves around two regimes that are distrustful of each other and have enormously powerful weaponry, and a marriage between two distrustful people who share a life and family. And we want to convey the sense that the bottom could drop out at any minute.
Kondrackis filmmaking altogether the finest piece of episodic direction Ive seen this year hones all these notions visually, but subtly, through cinematographer Richard Rutkowskis '70s-drama-style Rembrandt lighting (the kitchen scene went full Godfather appropriately, given that both that film series and this TV show are about criminal households trying to pass as normal) and very slow tracking shots and zooms. The latter make it seem as though the episode itself is cognizant of just how much misery these characters are in; at certain points it feels as if the camera is trying to approach them all as cautiously as possible, so as not to cause more pain.
The intimate scope, unhurried pace, and hushed tone of Kondrackis direction felt extreme even by The Americans standards, but like the script itself, it ultimately came to seem like a deepening or refinement of tendencies that were always there. In that sense, Stinger might bear the same relation to The Americans as The Suitcase does to Mad Men. It is at once characteristic and uncharacteristic of everything this series does well; watching it, you felt as though the writers, filmmakers, and actors were digging deeper than they had before, refining their themes and their voice in tandem. However long the show lasts, whenever fans make lists of the best single episodes, this one will be on it. I doubt it was a coincidence that FX announced the fourth-season renewal of this acclaimed but low-rated series on the eve of this chapters airing. I like to imagine network executives debating whether to fund one more year, then watching Stingers and thinking, Well, after this, how could we not?
Between the breaking and entering last year, well-hidden porn stash, and (I can only surmise) snooping for Sandra artifacts whilst Stan was down in the basement, Henry's ripe for recruiting today.
They didn't play with the idea of Henry snooping around at Beeman's house. They could have, but...
This is really spot on and exactly how my wife and I felt.Best episode of the season.
You could really hear a pin drop. I like how this show doesn't gloss over the aftermath of a confrontation like that. Instead, they showed Paige''s initial reaction to the news, what happened that night, the morning after, and finally later in the night when Beeman showed up. No music or background soundtrack at all for the last 12+ minutes of the show.
Just Paige silently trying to process it all.
I feel like most other shows would've used the revelation scene as a cheap end-of-episode cliffhanger.