Plague Doctor
Member
I said this many times on different facets of modern media.
Joss Fucking Whedon.
Joss Whedon has this faux-counter culture while paradoxically pop cultural referential, quirky, solipsistic character design and writing that only worked in specific stories and cases. There are a couple projects early in his career that this archetype did well in and was fresh and different to many at that time. And even then, those traits were typically in the beginning of a character arc and by the end, those characters matured and grew in some ways.
In the mid 00s, many young writers were fans of his work and emulated his style placing an inordinate amount of emphasis on Quirky quipmasters with the emotional depth of a wad of spit on the ground. (Now it should be noted, Whedon didn't always make this character but this was the takeaway). Also, most of the writers didn't get the memo that these types of character when sparingly used should grow and learn from this immaturity.
Then... he entered the MCU as a lead writer, producer, and creative. His writing and character adaptations were seen as the secret sauce of the rise of the MCU to the notoriously plagiarist tendencies in the rest of Hollywood. This became something of a real life memetic virus that spread to much of big budget western media from the 2010s on.
So here we are. We still can't escape these bullshit shallow characters making quips and acting like entitled rebel-for-no-reason assholes. Again, I am not hating on him specifically cause he wrote other kinds of characters. I am hating on the creative hacks that endlessly emulate the trope he pioneered. We rarely get sincere, earnest characters that are taking shit seriously that don't suffer from main protagonist syndrome. Everyone is the comic relief and the rebel with the heart of gold and it is terrible. More new young writers still see this as the one true way for good character writing.
So yeah. Joss Whedon.
Joss Fucking Whedon.
Joss Whedon has this faux-counter culture while paradoxically pop cultural referential, quirky, solipsistic character design and writing that only worked in specific stories and cases. There are a couple projects early in his career that this archetype did well in and was fresh and different to many at that time. And even then, those traits were typically in the beginning of a character arc and by the end, those characters matured and grew in some ways.
In the mid 00s, many young writers were fans of his work and emulated his style placing an inordinate amount of emphasis on Quirky quipmasters with the emotional depth of a wad of spit on the ground. (Now it should be noted, Whedon didn't always make this character but this was the takeaway). Also, most of the writers didn't get the memo that these types of character when sparingly used should grow and learn from this immaturity.
Then... he entered the MCU as a lead writer, producer, and creative. His writing and character adaptations were seen as the secret sauce of the rise of the MCU to the notoriously plagiarist tendencies in the rest of Hollywood. This became something of a real life memetic virus that spread to much of big budget western media from the 2010s on.
So here we are. We still can't escape these bullshit shallow characters making quips and acting like entitled rebel-for-no-reason assholes. Again, I am not hating on him specifically cause he wrote other kinds of characters. I am hating on the creative hacks that endlessly emulate the trope he pioneered. We rarely get sincere, earnest characters that are taking shit seriously that don't suffer from main protagonist syndrome. Everyone is the comic relief and the rebel with the heart of gold and it is terrible. More new young writers still see this as the one true way for good character writing.
So yeah. Joss Whedon.
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