Having LTTP to the whole Firelfy thing, I'm surprised to learn that Serenity bombed hard seeing how the series gets alot of love online.
*insert mangled Mandarin here*
Having LTTP to the whole Firelfy thing, I'm surprised to learn that Serenity bombed hard seeing how the series gets alot of love online.
Very vocal, but not big enough fan base.
I guess that was it. If social media had more presence back then, the movie would've been a success financially.
Feels like there's too much buzz on this film to NOT give it a sequel, and it's not like it's a bomb either. It probably won't be out for like 4-5 years and with a tighter budget, but I think it's more likely we see Wasteland than not.
How do you feel about Speedracer the movie?
It's possible unless we got another Tron:Legacy situation (thinking about it the budgets are quite similar and their final totals could be similar too)Feels like there's too much buzz on this film to NOT give it a sequel, and it's not like it's a bomb either. It probably won't be out for like 4-5 years and with a tighter budget, but I think it's more likely we see Wasteland than not.
I've got no interest in it. I wasn't interested in / never saw the older films, either. Just not my thing.
Very vocal, but not big enough fan base.
Nope, no China release. Japan is the last market left on June 20th
What is Entourage's tracking?
Tomorrowland's drop makes me so happy; worthy for such a shitty film.
June is going to be interesting, there's a 40M+ OW movie opening every weekend. It should be pretty exciting.
No idea why this movie was greenlit, almost everyone hated the last several seasons of Entourage and the show was an enormous flop in syndication. I remember Spike TV pulling it from their schedule citing that paid programming was more successful ratings-wise.
I've never even heard of this Aloha film until now =/
Furious 7 and AoU numbers. So much money. I wish Max was making a little bit more though. Does it still have some places to open in?
There's some very grotesque imagery, such asJust repost this from last weeks box office thread.
Mad Max: Fury Road spoiler:
Other thanwhat was there to keep this from being PG13? Even language wasn't always too severe, and I'm sure they're even allowed a few good ones. Maybe it's a rare case where the R-rating actually helps it with hype build up.Immortan Joe losing his face and some distant vague nudity
Agreed. Fury Road is such a fantastic movie and I feel like any sequel made in the near future won't capture that same awesomeness.Honestly, I'm not sure I want a Mad Max sequel all that quickly. Part of the reason this played as well as it did is because of how meticulous the pre-production was, given all that extra time they had. The circumstances behind getting all that time sucked of course, and could have been hugely detrimental, but I dont' think Fury Road ends up being the movie we got if it was made on a regular 1-2 year production schedule.
Having LTTP to the whole Firelfy thing, I'm surprised to learn that Serenity bombed hard seeing how the series gets alot of love online.
Hmm, the more I think about it (it being Mad Max since it is GAF's pet obsession du jour) the more I start wondering about the impact of streaming rights on the financial result of a film. Since I haven't a clue as to what Netflix et al. pays for a blockbuster, this is a bit of a mystery.
We all know that physical film sales are declining and I'm not sure how long it will be until streaming takes over as the main source of revenue (as it did recently with music). So is it more useful to pander to the algorithms of Netflix (since Netflix in particular is a very metrics driven company); e.g. watching films with Tom Hardy/Charlize Theron/George Miller/etc than it is buying a blu-ray copy? Maybe not right now, but it will be interesting to see how streaming impacts business of home video.
Normally they don't pay for films, they pay for studios. Meaning HBO gets all the movies WB releases first. So Mad Max will be on HBO before it ever sees Netflix. Netflix has a deal with Disney that kicks in next year that gives them first run rights, they took this from STARZ lol.
Why is F7 so popular internationally?
I didn't just mean first run rights or America, which admittedly probably wasn't very clear. It was more a reflection on what is to come and how streaming changing the "traditional" revenue streams and if it is possible for a fanbase to influence what streaming services are providing. I.e. what (critical reception, total box office, fan enthusiasm) influences how much Netflix and its ilk is willing to pay for films later in their life.
Closer to Serenity than Sex and the City.
Closer to Serenity than Sex and the City.
Universal, I believe, decided to roll with the idea that focusing a large part of the marketing on the fact there was a tiny rabid fan-base would get other people curious. What it ended up doing is making people think they had to watch an entire, already canceled TV-show first in order to understand anything going on. So you had this funky looking Space Western that was sold like a sequel to something nobody else had really seen before.
That and they preview screened the fuckin' thing for like 3 months straight. When I finally saw it opening night, there were people there who had seen it FOUR TIMES already.
Why is F7 so popular internationally?
The movie is a straight-up contractual obligation, isn't it? Like, the creator of the show had it written down that there would be a wrap-up film or something along those lines once the series ended.
I hope it was cheap for WB, at least!
Why is F7 so popular internationally?
Universal, I believe, decided to roll with the idea that focusing a large part of the marketing on the fact there was a tiny rabid fan-base would get other people curious. What it ended up doing is making people think they had to watch an entire, already canceled TV-show first in order to understand anything going on. So you had this funky looking Space Western that was sold like a sequel to something nobody else had really seen before.
That and they preview screened the fuckin' thing for like 3 months straight. When I finally saw it opening night, there were people there who had seen it FOUR TIMES already.
I read an article in Time Magazine where it said that the main reason it took so long was that the stars were all negotiating for a percentage of the profit that kept on preventing the movie from being made. All that trouble for a movie that's going to make no profit!
After first run, the value of the film likely drops substantially. I also doubt they pay for films on a individual bases. So as long as HBO and other movie channels are around, I don't see Netflix changing much of that "traditional" revenue stream. They still have to do studio deals to get flims just like everyone else.
Theres a lot of factors involved, but basically, this fucking song man.
Theres a lot of factors involved, but basically, this fucking song man.
Tomorrowland with a $190 million budget? WTF?
And Tron 3 got canceled because of it? Yeah, screw you, Disney.
Why don't you take your opinions, shine them up real nice, take that sumbitch sideways, AND SHOVE IT UP YOUR CANDYASS JABRONI???????????The Crock needs to drop out of movies period
Excuse me, the preferred nomenclature is ISEC.Shut down the IWC, it can't get any better than this.
It's not a reasonable budget for a new potential franchise, especially when you already screwed up with John Carter not of Mars.