"Color Design" is usually how I've seen it translated. (It's "色彩設計" in Japanese.) Which in Tsuritama's case would be this person.
That's a pretty good resume.
"Color Design" is usually how I've seen it translated. (It's "色彩設計" in Japanese.) Which in Tsuritama's case would be this person.
Point Blank Ecstasy!
Fart attack.
Oh shit, I forgot I wasn't supposed to reveal the fact I read TLR outside the manga thread.
...Fairy Tail, ladies and gentlemen.
In less than 12 hours we finally reach Fate/Zero
Now we all know. You've been publicly outed as a bad person.
...Fairy Tail, ladies and gentlemen.
That's a pretty good resume.
For you maybe! I've noticed color design for quite a while. It's important.Well, I suppose when it's not something like animation/storyboarding/direction/character design/background art you don't tend to think about it as a role.
In less than 12 hours we finally reach Fate/Zero
It's hard for me to really articulate what makes Excel Saga work. Even your post, which is as succinct a summary as we can get, really doesn't do the show justice at all.
Of course, even then, it's not for everyone.
Then you can watch the awesome sequel Fate/Stay Night produced by Studio Deen!
For you maybe! I've noticed color design for quite a while. It's important.
Also, anime has pretty good color design on average. Much much better than color design in American cartoons.
Then you can watch the awesome sequel Fate/Stay Night produced by Studio Deen!
I never really 'got' Excel Saga, but I never actually tried to sit down and watch it 'properly'. So I might give that a shot in... *checks backlog*... three years or something.
Then you can watch the awesome sequel Fate/Stay Night produced by Studio Deen!
But I hate those guys in Rave.To be fair, it is filler.
Though to be SUPER fair, it's filler using some of the best characters from Groove Adventure Rave!
Some would say that posting in this thread does that.
Or having an anime avatar.
On average.I don't know if I can agree with that, or even judge it properly. Anime has lots of good color design, but also lots of terrible design with garish, thoughtlessly applied colors.
I ought to watch this sometime, just because I like Satoshi Urushihara, generic women and all.
But I hate those guys in Rave.
It's quite simple to explain Excel Saga, all you have to do is show them episode one. That will tell them (nearly) everything they need to know about the show.
If I wasn't already committed to Lancer, this would be my avatar right now.
All right, you've convinced me.
Perhaps this can un-convince you http://www.colonydrop.com/index.php/2012/05/16/bred-for-buoyancy-satoshi-urushihara?blog=1
Except for Episode 26....
I'm back in the world of anime, my countdown shall resume shortly, but maybe I'll do something slightly different!
I'm back in the world of anime, my countdown shall resume shortly, but maybe I'll do something slightly different!
Aww yeah
On average.
The color design in American animation is terrible. There seems to be about three different stock color schemes and they all look disgusting.
Nah, I'm good. If I wanted to watch a Urushihara production, I would just watch his hentai.
Before you celebrate, maybe he'll ban a poster for each countdown as a sacrifice.
Before you celebrate, maybe he'll ban a poster for each countdown as a sacrifice.
Questionable fanart?
All for the grail.
Wasn't there only one episode of it due to just how relatively expensive the production was?
[Pretty Guardian Sailor Moon] 6 - 9
Okay, this show is good now. Or at least, it's bearable. As bearable as any live action Sailor Moon produced with the budget and expertise of a live-action television series is going to be, anyway. It's fun!
Well with American animation there's no need for an average, because pretty much all of it is bad in the color department. Read some of John K's stuff about color in cartoons.Well, I don't know how you can "average" an entire industry. Like, what is the "average" between Ponyo and Angel Beats? I don't know how to quantify that.
I think American animation tends to be more "safe" than anime, which can lead to it being boring. It's more homogenized and less experimental, but I don't really know how to compare "averages" of an entire industry.
Dead Bros in the Area
Fuck this show. I really do want to give it the benefit of the doubt... like maybe this is some Buddhist/Shinto allegory and that it's the Japanese equivalent of a shitty episode of Touched by an Angel or some other BS Christian allegory thing that's a dime a dozen on American TV, but holy christ.
The fact that the manga is an on-going concern leads me to believe that Japanese readers think this is perfectly normal and fine, so maybe this is like one of those Happy Science things and people just believe in dead brothers taking over people's bodies.
God, I hope the anime is done soon so I can put this to bed and pretend it was the Adachi-like show that it should have been. Or maybe I'll just pretend the show was about Seven playing women's soccer and that all the other stuff didn't exist.
His bangs are probably an animator's worst nightmare.Or rather, how lengthy the production time was. As if they were ever going to get to two episodes while keeping Urushihara's designs intact. They're really not suitable for animation in the AT ALL.
So I'm ploughing through my FMA boxset (of manga) and it's just... really goddamn good. Seriously.
I wish Arakawa hadn't revealed he was a full-fledged homonculus nearly straight off the bat. Would've leant more tension to a whole bunch of the proceedings, not being sure whose side the Fuhrer was on, etc. I know it might have screwed up some stuff like the "Ultimate Eye" reveal and whatever, but I think you could probably have gotten away with a whole bunch of things without directly revealing his identity until way later.