Dragoon En Regalia
Member
I have no qualms with the way this is developing, so long as it doesn't go with convention (which it isn't, as far as I'm aware). Actually: this just seems like regular old Fujiko, except that she has one lingering issue to deal with that catches her off-guard every now and then. The way I'm seeing it, there needs to be more information before we can know the full outcome.The flashbacks have been becoming slightly less cryptic and more literal as the series has gone on, to the point that they're now just guys with owl heads mounting her in bed. It feels like this is a deliberate but subtle unraveling of her personal mystery.
What: like one scene?There are also scenes of her being strapped to a table, getting tooled around with like she was a corpse being used for an autopsy. Remember how she was being bonded by vines in the OP? Who's to say she was sexually-raped yet anyway? And wouldn't she be able to apply what she went through to her thievery, masking it differently to avoid the past? I'm saying we wait until the next episode, because the hints are all over-the-place. Everything's still metaphorical, including the owl-headed freaks (and some at the Loopin forums actually took that literally, disregarding the purposes behind these scenes).
Regardless, I won't be pleased with any scenario in which Fujiko ends up being an "emotional" thief in a world of "logical" or "rational" male thieves. She's always been depicted as a highly-sexualized character, but her body has always been a weapon and not an impairment or liability.There's no absolute proof that Fujiko was sexually abused, but the imagery in the flashback sequences and the ED really strongly hint at it. I think that it's fair to say that it's rarer for sex to be symbolic of something else than it is for something to be symbolic of sex.
The ED only portrays her as lightly-clothed, young and bare. That doesn't signify sexual assault so much as it shows how vulnerable she is in the series' own perspective, and perhaps in Luis' perspective too. She's definitely being tampered around with by powerful men, even if they are or not better than she is. I don't think she's being shown as a damsel-in-distress, that said. Her past drives her to both avoid and destroy every thought of L.Y.A. she can remember, and it's been the fuel for her to get into thievery. However she was messed with, anyway, she's actually managed to convert those past weaknesses into something useful for the most part, and, is a sign that she's almost out of the rabbit hole. None of the characters in this Lupin series are perfect, and their flaws are all easily-apparent in this interconnected saga of sorts. But her body is her greatest weapon even now, and the only one able to throw her for a ride is Lupinwhich doesn't count, because Lupin is a motherfucking god amongst men. I think your analysis is inconsiderate of the way she's been shown so far, especially amidst the grand quantity of franchise material noting her ability to depict herself in mirrors and illusions.Goemon presumably pitching in to help her, knowing that he's also a wanderer
I have very limited previous experience with the Lupin franchise, so I understand if there's a big difference in the way that we perceive Fujiko's character. I'm certainly not pretending to be an expert on Fujiko's character, but I think that I would probably feel the same way about her characterization even if I didn't know who she was or if this show wasn't part of a pre-existing franchise.