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The Americans - S3 of the KGB spy drama - Keri Russell & Matthew Rhys - Wed on FX

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- LA Magazine: The Imperfect Patriotism of House of Cards and The Americans
Set in the early 1980s, when Ronald Reagan’s election as president has made the Cold War scarier than at any time since the Cuban Missile Crisis, the first two seasons of The Americans found its protagonists increasingly in the crossfire of what they believed and their own self-interests. In the new season Ma and Pa Spy are at that most traditional of impasses between couples: how to raise their two kids, to whose future the Kremlin is overtly laying claim. Ferociously playing off the all-American-girl image she cultivated more than a decade ago in her TV hit Felicity, Keri Russell as Elizabeth—the more uncompromising of the couple—accepts that teenage Paige will be groomed as a Stalinist agent, while Phil, portrayed by the fine Welsh actor Matthew Rhys, is hostile to his employers’ designs. Alternately cold-blooded and empathetic, already pushed to a breaking point by the mounting executions at his feet, he’s considering the heretical notion that an individual life might sometimes matter more than ideology and that their daughter should make her own choices. The philosophical quandaries of The Americans are compounded by a shadow story of the FBI man on their trail and his doomed love for a Russian apparatchik whose true intentions may be as opaque to her as they are to us.
Lacking Spacey’s star turn and overcrowded with mayhem and various intrigues, The Americans isn’t as compulsively delicious; but as the most morally complex show since Breaking Bad, it grips us in the same escalating sense of dread. Assuming the series doesn’t lose its integrity, there seems no way that things can turn out well for anyone. If Marxist theory dictates that the personal is always political, the rebuttal of both The Americans and House of Cards is that the political is always personal, the sum total of our collective needs and desires, vows and betrayals.
 

DominoKid

Member
man Phil's not gonna make it through this season in 1 piece mentally. getting pulled in too many different directions.

also somehow it never crossed my mind that they could have gay assignments as well. i can't even imagine training for that as a teenager.

this is truly the darkest show on TV.
 

Blader

Member
This has to be one of the very very few dramas that does the "main characters' child" subplot actually very well. IMO, Paige is such a far more believable, fleshed out, and logically motivated character than all of the Dana Brodys of the world.
 

RatskyWatsky

Hunky Nostradamus
This has to be one of the very very few dramas that does the "main characters' child" subplot actually very well. IMO, Paige is such a far more believable, fleshed out, and logically motivated character than all of the Dana Brodys of the world.

Agreed.
 
- Golden Globes online vid: The Americans Talk
Since its debut two years ago FX’s The Americans has delivered consistently high-octane suspense and quality drama to faithful fans. The third season, which got underway in January, continues to do so with a storyline that delves deeper in Philip and Elizabeth’s lives of deceit and how the web of lies inevitably affects their family life, which includes their teenage daughter Paige. We recently met with the stars of the show, Keri Russell and Matthew Rhys in an undisclosed location (ok, a New York hotel) to talk about the show and where the characters are headed.
 
- The Credits: Q&A with The Americans Costume Designer Jenny Gering

- The Credits: Inside The Americans Costume Shop
Finally, I reached out to FX and told them I lived literally next door to The Americans costume shop, and I wanted to go inside, take photos, and talk with costume designer Jenny Gering as well as her staff and see all that great 1980s garb. I spoke to Gering first on the phone (that Q&A was published yesterday), and the following day she and her staff gave me a tour of their shop. For fans of the show, if there’s one question that’s bugged them about Elizabeth (Keri Russell) and Phillip’s (Matthew Rhys) undercover operations as Russian spies in America, it’s where do they keep all their fantastic disguises? Because honestly, their house isn’t that big, and having all of your disguises on the premises would seem dangerous. On the show it’s in a cubby hole beneath their house, but in reality, that much great gear—the suits, the pocket books, the heels, the boots, the blouses and dresses and wigs and uniforms—that’s all kept at this shop in Brooklyn.


Also:
Matt Brennan @ Slant said:
FYI: The last seven minutes of tomorrow night's episode of #TheAmericans will absolutely knock your socks off. I promise.
 
Hyped for the episode. It would be a crazy swerve if after all this build up to Paige finding out the truth, Henry is the one that wants to join the KGB.
 
New episode tonight:
Born Again

Gabriel has surprising information; Elizabeth begins to take family matters into her own hands; Stan receives upsetting news from his past and turns to Sandra for support.
 
- Grantland: What’s It Going to Take to Get You People to Watch ‘The Americans’?
It’s the wigs, isn’t it? That’s what’s keeping the vast majority of you from watching The Americans. Though the FX spy drama is settling into its third season to pretty much universal acclaim, it has never exactly set Nielsen households ablaze. This show is great. This is not a paid endorsement. This is not a show I cover on any kind of regular basis. I’ve been watching along in real time on Wednesday nights at 10. And now I’m starting to wonder why I’m so alone for that hour, and it’s definitely not the show, so what is wrong with you? Or what is it you think is wrong with the show? If it’s not the wigs — and seriously, totally understandable if it is — what is it?
 
Hyped for the episode. It would be a crazy swerve if after all this build up to Paige finding out the truth, Henry is the one that wants to join the KGB.

Would they even bother telling Henry? I always figured Paige would be the only to find out since she's the one the center is interested in.
 
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