Wouldn't the limitation on the freedom of movement affect you more? Or is it one of the few creative companies who haven't shipped in cheaper labour from Eastern Europe? I doubt given the rate at which colleges and uni's pump out qualified students who struggle to get work that field that the creative industries would do well with labour needs under a points system.
Right now approximately 1/3rd of our staff are from EU countries (that aren't the UK). It actually used to be more but just general staff turnover has altered the make up slightly (this wasn't deliberate, just a result of who applied!). All of these people except maybe one or two would be considered high skilled and, I should think, wouldn't struggle too much to get in (I mean, we have a fair few from outside the EU that work here too). The most "shippable" work is the CG stuff (which is what I do!) but our dalliances with outsourcing previously have had the breaks put on due to quality control and translation issues rather than cost. That's actually meant that we've hired
more here which might not be good for the business per se (though a rational decision in the face of poor quality-to-cost analysis) but is obviously good for British CG workers. Like I say though, most of these jobs are considered pretty high skill.
The other "arm" of the business is the actual shooting and editing bit which will always be in London because it's where our clients are. Obviously if we shoot on location we shoot on location, but most of our projects are done in studios and, again, they're almost all in London where we can control everything we need to, have our own crew, don't need fixers etc. Unis and colleges pump out students with qualifications but, eh, that obviously doesn't mean they're actually
qualified, as it were. Whenever we hire juniors, I'd say we have to meet around 10 before we hire anyone. With senior roles it's a lot easier as the ones not cut out for it are weeded out.
I dunno, I don't think leaving the EU will cause us to suffer personally
but the UK VFX industry in general has benefitted a great deal from being the center of EU creative industries - all the largest visual effects and film companies in the EU are in London, which means all the best people from across the EU are too which helps keep the industry here and out of the other countries. On the other hand, if the value of the pound continues to drop and these staff are able to remain under a points system, this will still be the place I think. English being the lingua franca obviously helps, too.
Edit: To clarify, "our clients" tend to be London ad agencies.
Their clients, and they're ultimately the ones paying us, are typically American, Middle eastern, African or from the UK.
You may get some short term gains, but medium to long term I thing you#ll play a hefty price for the leave vote I think; even if you get back in through the EEA after five-ten years.
Why? Most of our clients are NY real estate developers, American toy companies, middle eastern resort developers, African banks etc. We're in the fortunate position where we do very little business with the EU, so as far as I can see we're just going to get cheaper as far as our clients are concerned. The only possible issue is labour, but - as above - I don't think that'll be a problem either.
I'm specifically talking about my own circumstances, not trying to make a wider point. Though I guess, if I were, I'd say that this will help with our exports which have long been a problem. I mean, that's basically
the point of devaluing ones currency when it's a choice.