While Westworlds ratings success has been evident since its strong premiere numbers, new HBO chief Casey Bloys took his time making a decision about a second season. TV industry sources have suggested the shows high price tag an estimated $100 million per season and concerns over whether Nolan and Joy had a firm grasp on the shows creative direction caused the network to think hard before pulling the trigger on a renewal. In an interview with Vulture late last week, Bloys admitted to exercising a bit of caution before deciding. This is a big show, financially and creatively, for us. I wanted to make sure it didnt start strong and fall off, Bloys said. I wanted to make sure that what we had here was really working. In the end, Bloys says Westworld fully met my expectations, and then some. The nice thing about Westworld is, its a broad-based hit, he explains. Its an audience hit. Critical reception is good. The fan interaction is good. Its hitting a number of metrics where one of the above would make me happy. The fact that it is doing all of these things is great.
But while he acknowledges that he didnt rush to renew Westworld after one or two episodes, as the network has often done in the past, Bloys who only became involved in supervising production of the show in January, when most principal photography had wrapped dismissed TV industry talk that has suggested he asked Nolan and Joy to come up with outlines for every episode of season two before he committed to a renewal. I wanted to make sure I had as much information as possible
and part of that included Jonah and Lisa being excited about where they wanted to go for this next season, he says. It wasnt outlines for every episode, they pitched out the entire second season. They know where they want to take it
They have a very, very detailed understanding of where theyre going, and now, so do I.
Bloys also remains committed to giving Westworlds creative team all the time and money they need to make the show work. While he wouldnt confirm the $10 million-per-episode price tag thats been attached to the series, he admitted the ambition of the concept made it more expensive to produce. Youve got a big world here, he says. And its half period, which is always [expensive]. And when those characters have their story lines, theyre in different places. You need more shooting days in order to put the episode together. For a show that is this big, youre going to pay for it. Similarly, the complex nature of the Westworld plotlines, and the need for the producer to juggle so many creative balls, means Bloys has all but ruled out Westworld coming back next fall. I think itll probably [return] in 2018, he says, adding he hopes the season-two premiere will be in the first half of 2018. Id like to get it on as soon as possible, but for a show of this scope, the most important thing is getting the best version of the show on the air. If it takes some time, well take some time. Bloys points to Westworlds now-famous origin story, including the production hiatus, as a reason for patience. While delaying the series resulted in a temporary bout of negative press, whats nice about how this story turned out is, it paid off, he says. Taking the time, giving them the room and whatever assistance they needed, paid off. Saying were just going to take a beat here its a hard thing to do. [You have to] assure everybody, Weve got it, weve got it. The fact that it actually worked feels good for us and feels good for them.