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Snippets from a bunch of interviews with Nolan and Joy.
- Variety: Westworld Creators on Why HBO Drama Wont Return Before 2018
- Variety: Westworld Creators on Why HBO Drama Wont Return Before 2018
- THR: 'Westworld' Showrunners Explain Violent Finale, Set Up Season 2's Expanding WorldAt this point there arent many humans to kick around anymore. Most of them are either dead or missing or revealed to be hosts. Going into season two, will you be focusing even more on the hosts, with the humans relegated to either helper or adversary roles?
Nolan: Not necessarily. One of the great things about this omnibus, ensemble storytelling that HBO has mastered is the ability to shift that perspective and find empathy for different people, and thats something that we want to continue to play with throughout.
Where are you at in terms of work on the second season?
Joy: Weve started working on scripts and outlines. Its looking good. Its looking very ambitious. Theres some surprises and bits of it that you wont see coming. Im having fun.
Nolan: Its an ambitious project, and HBO has encouraged us to take the time and resources that we need to work on each stage of that. I love television. One of the fun things about television is that sometimes you find yourself in this place where you have to wear all these hats at once. You have to write, shoot, and cut simultaneously. We wanted to in the second season spend some more time writing, then switch gears into production, then cut. So were not going to follow the annual year-on-year tradition of television. Televisions changing. And the ambition of the project is such that were going to take our time to get the second season right.
Ford is no longer the last man standing, thanks to Dolores. Why did Ford need to die in order for this revolution to begin?
Joy: It's a little bit like when Arnold says: "The violence has to be real. The stakes have to be real." Ford is doing this in such dramatic fashion in front of the Delos board. He's basically taking the safety off. There's no turning back from this. It's not a kind of fiction anymore. I think that's part of it.
Nolan: We talked about the Julian Jaynes book [called The Origin of Consciousness in the Breakdown of the Bicameral Mind], which we thought was a very interesting place to start in terms of understanding the hosts' cognition. They would be coaxed into life by this voice of god, and then at a certain point, this god has to realize that his partner was right. The appetites of the audience they were catering to and the story they were telling wasn't what they wanted it to be. These creatures had grown into sentience within that story. They realize the only way for these creatures to be truly free is for that god to die. If on a very literal level, if Ford's voice is the last thing we've established his voice as an almost telepathic control of the park. The only thing standing between the guests and the hosts is Ford, so he removes himself from that equation.
Will we see Anthony Hopkins in season two?
Nolan: I think with this show, you want to assume nothing. We had a wonderful experience. It was one of the greatest privileges of my career so far, getting to work with Anthony for the first season. It was an incredible experience.
- Deadline: Westworld Finale Postmortem: EP Jonathan Nolan On Season 2s Samurai World, Missing Characters & Dr. Fords FateMaeve was this close to escaping the park. Will we ever see the outside world, or learn more about it? Is the state of the world a major mystery and/or player in the mythology, to your mind?
Nolan: As Lisa said, we wanted our narrative to follow a simple set of rules, which is that the hosts don't know much about the world that's around them, and therefore neither should the audience. As the seasons go by and our hosts begin to understand a bit more about that world and this applies to the last question as well this series is called Westworld. So Westworld the place and the idea of it remains central to our story as we go forward. But the hosts are going to become more curious about what else there is in this world for them to understand and explore. That's where we want our show to go as well.
More via the links. Nolan is hoping to have Samurai World play out in Season 2. We caught a glimpse of it the combat room when Maeve and her posse were having a shootout through the parks basement control center. Another indication that more lands reside than the Old West: Maeves note from Felix that the location of her daughter is in Park 1. Youll remember that the Michael Crichtons original 1973 movie included Roman World and Medieval World.
Is Anthony Hopkins Dr. Ford dead? Well, that version of Ford is dead, confirms Nolan. Remember, its Westworld, the place where robots never die.
Did Dolores dad, Peter Abernathy (Louis Herthum), smuggle intel out of the park as Charlotte Hale (Tessa Thompson) indicated at one point during the episode? Teases Nolan, Well, hes not in cold storage and I didnt see him on the train, adding that it was a delight to work with Herthum on the pilot.
Where are park workers Elsie and Stubbs? She was kidnapped by Bernard a few episodes back, and Stubbs (Luke Hemsworth) was cornered by Ghost Nation natives in Episode 9. Nolan, Joy and staff have provided themselves with an embarrassment of riches. We have things to circle back to and tee up for next season, says Nolan, adding stay tuned in regards to the duos whereabouts. We cant leave that story hanging, adds Nolan.