No Game No Life 1
The edge in this is off the charts.
Bad timing on this post with people giving out about LNs.
No Game No Life 1
The edge in this is off the charts.
Actually, I wonder how much anime adaptations of trashy LNs have contributed to the public perception of it being a rotten, crappy medium that has nothing of value. Western audiences have really limited access to LNs, so what ends up making its way over here is mostly things that have already proven themselves both in Japan and overseas (due to anime streaming services).
Gross.I am speaking somewhat tongue in cheek, but there are a lot of LNs such as OreImo and Mahouka which rely on a sister (usually a younger sister) having romantic affection for the MC.
So most light novels don't fall into incest, harem action, or reincarnation stuff (or all the above in some cases) and it's just the wrong ones that are getting adapted?
HAHAHAHAHAHAHAHA Ancient Magus Bride is getting a 3 part prequel anime made by WIT! http://www.animenewsnetwork.com/news/2016-03-09/the-ancient-magus-bride-manga-gets-3-part-prequel-anime-by-wit-studio/.99566
My point was that it'd be nice if someone who lived in Japan and was more knowledgeable about LNs could chip into the conversation, since it's clear that the west (and anime) gets mostly trashy LNs, but I was wondering how badly the crap-to-decent LN ratio was if you considered all LNs rather than those that make it into the west or get adapted into anime series.
I agree, it would be almost impossible for us to be getting an actually representative slice of what LN titles are given the broader demographics of the local market in Japan. I'd be as interested to learn if 'this will export well' is a factor in deciding whether to include certain elements or not. I've a suspicion that there's a negative feedback loop in play for a lot of this stuff.
Light Novel Sales by Series
*1. 624,815 Yahari Ore no Seishun Love Comedy wa Machigatteiru.
*2. 592,084 Mahouka Koukou no Rettousei
*3. 528,617 Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka
*4. 451,359 Naruto Hiden
*5. 354,259 Sword Art Online: Progressive
*6. 322,987 Kagerou Daze
*7. 314,775 Sword Art Online
*8. 245,373 Haikyuu!! Shousetsu-ban!!
*9. 245,006 Yahari Ore no Seishun Love Comedy wa Machigatteiru. Side Stories
10. 227,314 Saenai Heroine no Sodatekata
11. 209,615 Sword Art Online Alternative: Gun Gale Online
12. 205,604 Kokuhaku Yokou Renshuu Series
13. 187,250 Shinyaku Toaru Majutsu no Index
14. 182,068 Shinmai Maou no Testament
15. 179,886 Mikagura Gakuen Kumikyoku
16. 176,175 Seiken Tsukai no World Break
17. 165,836 Tokyo Ghoul
18. 159,655 Ao Haru Ride
19. 151,798 Absolute Duo
20. 142,853 Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka Gaiden: Sword Oratoria
21. 128,690 Owari no Seraph: Ichinose Guren, 16-sai no Hametsu
22. 127,020 Hataraku Maou-sama!
23. 118,972 Baka to Test to Shoukanjuu Side Stories
24. 118,001 Arslan Senki (Kadokawa)
25. 113,538 Log Horizon
26. 112,658 Amagi Brilliant Park
27. 108,329 Noushou Sakuretsu Girl
28. 108,130 Madan no Ou to Vanadis
29. 107,557 Durarara!!
30. 105,602 Ansatsu Kyoushitsu: Koro-tan
I think the issue is the audience is largely different and more niche compared to manga, which is fairly mainstream as a whole in Japan and has far more variety due to this, whereas light novels seem to pander mostly to otaku as the audience. Obviously there are otaku centric novels, and non otaku centric LNs, but because of the general audience of each group, there's a much greater variety of popular manga then LN. And since an unpopular work is almost never getting an anime because anime are expensive, the vast majority of light novel anime are based on shitty otaku centric works. And this is a trend that has increased over time. A lot of the works you mentioned aren't exactly recent seriesWhen I went to BookOff I was usually looking for stuff I already had in mind (Umineko manga and Monogatari, Durarara, Baccano, Kokoro Connect and Haruhi LNs), so I can't say I was looking at everything out there or that those works would be representative of the medium.
My point was that it'd be nice if someone who lived in Japan and was more knowledgeable about LNs could chip into the conversation, since it's clear that the west (and anime) gets mostly trashy LNs, but I was wondering how badly the crap-to-decent LN ratio was if you considered all LNs rather than those that make it into the west or get adapted into anime series.
@Sabre: I'd say that it's probably because little sisters tend to be more about the brother getting the assertive position in their relationship, while big sisters tend to be the ones in charge and pigeonhole the brother into the submissive role. Of course some people like big sisters that take care of them more than little sisters that they can take care of, but the younger sister option is more prone to cuteness, and I guess the little brother is the one that gets put into cute situations when paired with a big sister.
No Game No Life 1
The edge in this is off the charts.
I agree, it would be almost impossible for us to be getting an actually representative slice of what LN titles are given the broader demographics of the local market in Japan. I'd be as interested to learn if 'this will export well' is a factor in deciding whether to include certain elements or not. I've a suspicion that there's a negative feedback loop in play for a lot of this stuff.
The thing is that the LN market has been getting progressively more trashy. Looking at the popular ones 10 years ago is irrelevant to the current situationMaybe we could look at this compilation of the most-liked LNs? https://en.wikipedia.org/wiki/Kono_Light_Novel_ga_Sugoi!
The trashy shows I managed to spot in there were SAO (which ranked really high), OreImo, NGNL and DanChigai, but there were several ones that were actually considered good such as Haruhi, Spice and Wolf, Rokka no Yuusha (at least I liked the anime adaptation), SNAFU, Durarara, Baccano, Toradora, Monogatari and Kino's Journey.
Actually, I wonder how much anime adaptations of trashy LNs have contributed to the public perception of it being a rotten, crappy medium that has nothing of value. Western audiences have really limited access to LNs, so what ends up making its way over here is mostly things that have already proven themselves both in Japan and overseas (due to anime streaming services).
The thing is that the LN market has been getting progressively more trashy. Looking at the popular ones 10 years ago is irrelevant to the current situation
So in other words we blame LN readers for loving these trashy stories.
right? Come on I need someone to blame for the 3 magical school harem LN adaptations we get a season.
Gross.
Doting older sister is so much better. Why don't LNs realize this?
The chart is biased to the ones with many releases. Yahari released three different volumes between November 2014 and June 2015.
It wasn't a good way of proving a point. Okitegami by Nishio got a very successful live action drama and live action dramas are even more conservative than anime in what they are picking.
http://data1.onnada.com/character/201504/2009184215_42e85f1a_44.666.jpg[img]
She agrees.[/QUOTE]
That's a fucked up hand. It looks like another person is holding the tea cup.
So in other words we blame LN readers for loving these trashy stories.
right? Come on I need someone to blame for the 3 magical school harem LN adaptations we get a season.
That's a fucked up hand. It looks like another person is holding the tea cup.
My point isn't that all light novels are irredeemable trash, but that the most popular light novels typically get anime adaptations. There are a few light novels that get live-action adaptations, such as Okitegami and Biblia Koshodou no Jiken Techou, but that's relatively uncommon.
Things get way better once she shows up with a robotic hand. *pinch pinch*that's just worn over her real, still intact one
Unless this isn't Grisaia.
Oh yrah, this is the doting older Onee-chan.
I like that the anime adaptation was infinitely tamer compared to what I heard was in the source material, where Yuuji would basically get it on with every single female character in the cast, including his sister and even his mother...
Good thing the anime was just like some generic wish fullfillment harem fantasty with some comedy and not that much fanservice, but I still remember some stupid scene with Makina and Saki deciding to seductively suck on some red bean paste because they were hungry or something, which was all kinds of stupid.
I wish I could get a massage like that.Nice, well, the mother thing wasn't his real mother, lol. He was a ladies man by trade and has an awesome harem. If you want hardcore, watch the OVAs, now those are, umm, interesting to say the least..
MC goes into a fantasy world and is the one chosen hero because of that sword he has. Right?
I like Snafu and think it's a good series, but it is absolutely otaku focused demographic wise. Not all otaku focused stuff is trash, just most of itAt least according to that thing, SNAFU's leads have taken over the top male/female character charts in the last two years and the top spot in the LN rankings, but it's true that you can see trash shows below it such as SAO, NGNL, DanChigai and OreImo. It's probably an unavoidable outcome as LNs try to become more mainstream and things are flooded with whatever's the flavor of hte month, but that does happen with all other mediums as well (remember all the grindy Farmville clones and indie platformers with physics as a main game mechanic?).
I wish I could get a massage like that.
MC goes into a fantasy world and is the one chosen hero because of that sword he has. Right?
Oh I've seen them because the fanservice was the only thing I was ever interested in out of that series.Oh, you haven't experienced the Grisaia OVAs yet? Have fun....
NGNL is definitely better than a lot of other LN series, but it also suffers a lot from otaku pandering, and even though the relationship between sora and shirt is absolutely not incestuous or sexual, I can see why people might assume it is at a glanceNo Game No Life was fucking excellent other than the really off-putting and uncomfortable fan-service. It most certainly isn't trash, it most certainly isn't fucking edgy and it MOST certainly doesn't deserved to get lumped in with stuff like OreImo or Sisterfucker 10 or whatever garbage people are trying to Guilt-By-Association it with.
Fuck outta here with this noise.
No Game No Life was fucking excellent other than the really off-putting and uncomfortable fan-service. It most certainly isn't trash, it most certainly isn't fucking edgy and it MOST certainly doesn't deserved to get lumped in with stuff like OreImo or Sisterfucker 10 or whatever garbage people are trying to Guilt-By-Association it with.
Fuck outta here with this noise.
While I think blank was in general too good, a show with an unbeatable protagonist can still be entertaining depending on the degree of struggle, as well as whether other members of the cast who are not unbeatable get focus and their own matches. I'm a fan of Yugioh, and Yugi was pretty much unbeatable, as was Yusei in 5ds (where he lost a total of one match on screen, which technically didn't even finish, though that was more to avoid the stakes of that match). Though arc-v has recently become my favorite yugioh series, and Yuuya is definitely not unbeatableThe setting's quite novel(everything has to be solved through strange games because the reigning god is the god of games!), the world itself is surreal and appealing... but that's as far as things go for me.
Sora and Shiro are your typical unbeatable protagonists, so all games basically boil down not to whether they'll win, but how long they'll take to do so; then there's the harem aspect, which has Blank interact with women only (except for that beastman elder), and they slowly but surely add them to Sora's harem, complete with a communal bubble bath scene, but thankfully Sora is kept out of the baths and doesn't Rito his way in either.
It isn't edgy at all and the colors and environments are goregous, but the characters themselves are really boring and pander to generic harem tropes and the games, while creative and interesting, basically rely on rulesets that the audience can't undestand so Blank can pull off some crazy barely-legal move to pull off a win at the last second.
Of all the games, I liked the materialization shiritori one the most (except for that random fanservice moment), and the episode where the ED changed to represent Sora being erased from existence as part of a game was also quite interesting (too bad the game's conclussion wasn't nearly as good in the end, though).
I didn't like NGNL because it is another example of the 'Perfect MC' trope I that I hate.
(LNs have this happen of continuous speech between character with no really indication who is saying what)