First reviews for Trank's Fantastic Four hit.

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So is it bad script or bad directing that doomed this project. Trank seems solid with a good script.

Also gotta say Fantastic Four is one the harder franchises to make a movie series for. Especially with how low the budget was from FOX.
 

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I've been listening to Fatman on Batman and can say you guys are the assholes. "Loves to hear himself talk" Kevin asked for his life story. All of his special guests out talk Kevin.



They won't use Doom, Doom is irrelevant and too popular. Irrelevant in that Evil Dictators are no longer a thing unlike the Era in which Doom was created, and too popular in that If they change him Mandarin Style, the gasket blown by fanboys will be ridiculous

Trank, is that you?!
 
So is it bad script or bad directing that doomed this project. Trank seems solid with a good script.

Also gotta say Fantastic Four is one the harder franchises to make a movie series for. Especially with how low the budget was from FOX.

There's been a lot of complaints about the script (check out the sample dialogue quoted in this thread), but then Trank helped co-write the script (albeit with two other people and no Max Landis this time)
 
Has Kevin Smith stopped bursting into floods of tears on Fatman on Batman yet? You could practically hear Kevin Conroy awkwardly leaning away.

I'm not one for religiously adhering to the comics but the tone that Trank seemingly was going for - i.e. a pretty similar one to the one that made me bored and repulsed by Chronicle - is just a total mismatch with the Fantastic Four concept.

Also gotta say Fantastic Four is one the harder franchises to make a movie series for. Especially with how low the budget was from FOX.

Throw another hundred million at this, you're going to get the same movie with better special effects and post-converted 3D. This attempt just seems fundamentally misguided.
 
If the movie was bad then logically they will ruin other films they crossover into.
Please kill all of them before that happens
 
Not surprised. The trailer I saw was awful. It didn't seem to have a clue what made Fantastic Four work as a concept and seemed to be trying desperately to be hip and dark and gritty.

Also this kind of thing needs to stop:

"It's clobbering time" is something Ben Grimm's abusive brother used to say before he slapped him about. Comic book fans will love that.

Victor (pre-transformation): I think the whole world should come to an end.
Susan (sarcastic): Listen to Dr. Doom here.

This winking at the camera, self-aware stuff. Like they have to maintain this sense of irony and distance. It sucks.
 
Josh Trank was a guest on Kevin Smith's Fatman on Batman episodes #87, #89, #90 and one more which should release soon. He is way too serious and kind of full of himself.
I couldn't even finish the first episode. That dude loves to hear himself talk. I hope that 4th episode is the last one. I laughed out loud when I got a notification on my phone for yet another episode with Trank the Tank!
Really? I thought they were pretty interesting. The most recent one does a pretty good job describing the making of this disaster of a film. I mean it's an interview, Smith wants him to talk as much as possible.
 
"If we can't protect the Earth, you can be damn sure we'll avenge it."

"Check out Dr. Doom over here!"

One of these lines is not like the other.
 
"If we can't protect the Earth, you can be damn sure we'll avenge it."

"Check out Dr. Doom over here!"

One of these lines is not like the other.

lol exactly. they're both wack. but they're excusable.

the clobbering time one is stupid tho. it makes no sense either. why would he repeat something his abusive brother says when he puts in work?
 
the clobbering time one is stupid tho. it makes no sense either. why would he repeat something his abusive brother says when he puts in work?
I'm going to guess that it's his way of getting over the abuse from his brother. In a "when I hear the phrase it's clobbering time I'll be reminded of us saving the world and not my brother hitting me." kind of way.

Not that it excuses that decision to begin with but that's probably their logic.
 
Serious Question: If this movie bombs at the box office....what are the chances of Fox getting desperate enough to sell the character rights back to Marvel?

I think it would have to be a major bomb that Fox decide it's better to sell back or share with Marvel than keep for themselves. I hope that happens because I think they've done a terrible job with the characters so far, but Fox are apparently being such dicks with it that I suspect they'll try to bolt FF onto the X-Men to piggyback on that series' success.

I see them inserting some of the good shit in other propeties. The Watchers in Guardians, and The Blue Area of the moon in Captain Marvel.

I just want Doom and Galactus to be done properly. The MCU lacks really good villains and three of Marvel's best are with Fox - Galactus, Magneto and Doom. Galactus could work really well in the MCU as the next major threat after Thanos is dealt with, and Doom would be a really good recurring villain who's always three steps ahead, a la Loki.
 
*sharp intake of breath*

If I were Fox and had to relaunch Fantastic Four again I'd do it as a soft launch by having the X-Men face off against a powerful and menacing Dr Doom. The F4 would then be introduced (with their powers, no origins) as a government team that's been quietly fighting Doom for years.

If the audience like what they see the studio could spin off this 'formed' F4 team into their film much like Warners are planning to do with their Justice League characters.




..., as for how Sony inevitably reboots Spider Man in a couple of years I'm less sure of what to do.


The fate of the F4 is in Singer's hands now...

What do you think Singer will be able to do with the F4 that a more talented director like Matthew Vaughn (who had a producing credit) couldn't do?
 
What do you think Singer will be able to do with the F4 that a more talented director like Matthew Vaughn (who had a producing credit) couldn't do?

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also i doubt vaughn had much input on this movie. anyways if this lame kinberg still insists on including the f4 in the xmen universe i hope he does it after singer is done with the franchise.

edit: you might know though. aren't you kinda informed about some of these productions?
 
Also gotta say Fantastic Four is one the harder franchises to make a movie series for. Especially with how low the budget was from FOX.

I don't agree at all. (Well, except for the budget part, 'cause yeah FF is a franchise that requires tons of special effects) Look at Incredibles. You need a competent writer to make the family dynamic of the group work, sure, but then you just make it an adventure film with them.

Hell just fucking copy the Ultimate Fantastic Four to like, a T, up until the Marvel Zombie bullshit crossover ruined all the amazing world-building that was happening.

FF1: Everyone gets their powers. Just do the Ultimate FF origin story. Megalomaniac Doom is the villain, he retreats at the end to fight another day. Just straight disappears.

FF2: Team has solidified more now. Open with them fighting the Mole Man guy, show that they're becoming a cohesive group. Doom still nowhere to be seen, maybe they're searching for him. Silver Surfer appears, they assume he's a Doom Bot, they fight him at the climax and lose. Cliffhanger with the warning that Galactus approaches.

FF3: Doom returns, now the ruler of Lavatria or whatever it's called. Finally get a proper, comic-accurate Doom in a movie. End it with Doom defeated but not dead. He retreats again. Does Fox own Squirrel Girl? Throw her in there.

FF4: Smaller-scale story, more personal. Give us a breather. Reed and Sue get married. Get the Skrull involved. Maybe they're hiding on Earth because something destroyed their planet. End with the return of the Silver Surfer.

FF5+6: Galactus arrives. Shit is fucking crazy. Doom teams up with the FF and SS to save Earth because if he can't rule it what's the point. Maybe end it with Franklin being born.

That's six movies with two arcs that are intertwined, plus a wide-open way to continue it even further. The first trilogy is about them becoming a true team and focuses on Doom finally being done justice. The second trilogy is more cosmic and is about Galactus being done justice. From there they could have Reed become more overprotective of his family and do a movie or arc where he almost becomes a villain himself - didn't they do that in one of the comics?

I feel like a family of super heroes is a fun and unique concept that Fox just can't seem to wrap their heads around for some reason.

Also cast Dennis from Always Sunny as Reed.
 
Please for the love of Galactus let Marvel have the rights back.
Stop dragging these poor characters through the mud.

Doctor Doom is pretty much Marvels #1 A-list villain.
How these incompetent filmmakers can't use him right is beyond me.
 
What makes you think that'll happen?

For all the talk of Spider Man now being the in the MCU the new stand alone film is still 100% a Sony Pictures film with the studio 100% financing, producing and distributing themselves.

Considering that the original people who gave us ASM 1 & 2 (namely Amy Pascal) and the shitty Bret Ratner X-Men film (namely Tom Rothman) are going to be directly behind this new film I have zero confidence in them or this new film.

As always, we shall see.

also i doubt vaughn had much input on this movie. anyways if this lame kinberg still insists on including the f4 in the xmen universe i hope he does it after singer is done with the franchise.

edit: you might know though. aren't you kinda informed about some of these productions?

I'm afraid that I wasn't 'in the loop' on F4 at all. It was shot in New Orleans and I didn't know anyone who worked on it and I'm not in with anyone at Fox.

Though I do remember hearing at the time that Fox had Trank under contract after he directed Chronicle for them so they wanted him to work on F4 when his preference was to do an adaptation of the Red Star comic at Warners.

Fox enforced his option and he had no choice but to go and do F4. It seems like WB might have dodged a bullet in more ways than one there.
 
As an outsider to this series.

Never read the comic.

First two films were shit.

That B grade release from 94 was shit.

New one is shit.
 
I find it amusing that they tried to make this all serious and dark. If a property needs a light-hearted approach, F4 would be it. The previous two films actually weren't too bad. The only miscast was Jessica Alba. The script just needed more focus and polish.
 
For all the talk of Spider Man now being the in the MCU the new stand alone film is still 100% a Sony Pictures film with the studio 100% financing, producing and distributing themselves.

Except that's not true, Kevin Feige is producing. Of course Sony has final say, but it's completely disingenuous to claim it's 100% a Sony Pictures film. The whole point of the reboot is that it's not. It's a collaborative effort by Marvel Studios and Sony.
 
Except that's not true, Kevin Feige is producing. Of course Sony has final say, but it's completely disingenuous to claim it's 100% a Sony Pictures film. The whole point of the reboot is that it's not. It's a collaborative effort by Marvel Studios and Sony.

It is 100% a Sony Pictures.

Kevin Fiege is co-producing with Pascal.

Please don't get caught up in all the studio PR and spin.
 
It is 100% a Sony Pictures.

Kevin Fiege is co-producing with Pascal.

Kevin Feige, PGA (/ˌfaɪɡiː/; fy-ghee; born June 2, 1973)[1] is an American film producer and president of Marvel Studios.

president of Marvel Studios

Y'all need to learn percentages. Why would they even bother with the studio PR if Sony were making it solo. They'd just have sold the Avengers/Civil War cameos (actually Marvel wouldn't have ever taken that deal).
 
So is it bad script or bad directing that doomed this project. Trank seems solid with a good script.

There were rumors during production about clashes between the director and studio, erratic behavior by the director (according to the studio, so who knows), and reshoots - which aren't uncommon, but these were rumored to be massive and involve core plot/narrative.
 
I think it would have to be a major bomb that Fox decide it's better to sell back or share with Marvel than keep for themselves. I hope that happens because I think they've done a terrible job with the characters so far, but Fox are apparently being such dicks with it that I suspect they'll try to bolt FF onto the X-Men to piggyback on that series' success.
Come on... Be optimistic. Fox let both Daredevil and Elektra revert when they realized they had no clue what they were doing with those... IMO this has got to be their last shot.

It is 100% a Sony Pictures.

Kevin Fiege is co-producing with Pascal.

Please don't get caught up in all the studio PR and spin.
Studio PR is that Sony is financing and producing it like you said. According to Kevin Feige it is more like a Marvel Studios production with Amy Pascal as an additional staff member. I'd rather listen to Feige than some stuff Sony wrote to help them save face.
 
Come on... Be optimistic. Fox let both Daredevil and Elektra revert when they realized they had no clue what they were doing with those... IMO this has got to be their last shot.

There were 12 years between the last Daredevil film and the Marvel reboot though, and Fox had various plans for reboots that fell through.
 
After battling months of bad buzz, "Fantastic Four" emerges as a wounded animal of a superhero movie, only rarely showing flashes of the darker, more emotional breed of Marvel film it's trying to be.


It's not like MCU films themselves are either dark nor emotional :lol

THE. FUCK.?

Well at least it's not bad, it's just meh.

Marvel's other films are darker and more emotional? What the hell?

You're reading the quote wrong, it's saying that this film tried to be a darker, more emotional alternative to the MCU films, not that the latter are that.
 
Suspension of Disbelief is the problem. No one believes the shit Reed is capable of doing anymore in a modern setting because the crowd is older and more educated.

Iron Man created an omnicidal self-replicating AI out of his male Siri and a magical space rock that had been previously used by a shape-shifting alien God to mind control a team of government agents.

But yes, crowds are too sophisticated to deal with a guy who masters interdimensional travel, universal language translators, and a flying car.

They won't use Doom, Doom is irrelevant and too popular. Irrelevant in that Evil Dictators are no longer a thing unlike the Era in which Doom was created, and too popular in that If they change him Mandarin Style, the gasket blown by fanboys will be ridiculous

Kim Jong Un doesn't exist?

The Mandarin swap was at least funny, and the real Mandarin still exists in the MCU.

How hard is it to write Doom as evil Iron Man? They've tried 3x now to give us some version of Ultimate Doom, and no one likes Ultimate Doom.
 
I've been listening to Fatman on Batman and can say you guys are the assholes. "Loves to hear himself talk" Kevin asked for his life story. All of his special guests out talk Kevin.



They won't use Doom, Doom is irrelevant and too popular. Irrelevant in that Evil Dictators are no longer a thing unlike the Era in which Doom was created, and too popular in that If they change him Mandarin Style, the gasket blown by fanboys will be ridiculous

You know Doom has evolved through the ages much as the Mandrin did...


Folks need to stop getting their comics from Turner D Century.
 
I figured the movie would be shit the moment I saw the poster showing Reed Richards. Seriously, who thought that was a good idea to show a guy who barely looks the part?
 
i feel bad for josh trank. everybody else can just kinda walk away from this without any trouble. the studio sure can. so can the writer. actors probably can too.

allegedly this lost trank his shot at star wars too.
 
For all the talk of Spider Man now being the in the MCU the new stand alone film is still 100% a Sony Pictures film with the studio 100% financing, producing and distributing themselves.

Considering that the original people who gave us ASM 1 & 2 (namely Amy Pascal) and the shitty Bret Ratner X-Men film (namely Tom Rothman) are going to be directly behind this new film I have zero confidence in them or this new film.

As always, we shall see.

The difference now is that Kevin Feige is a producer for the film so even though Sony is going to force batshit stupid ideas like 4 villains per film Feige will be able to push Sony in a direction that makes their fuckery work for once.
 
The difference now is that Kevin Feige is a producer for the film so even though Sony is going to force batshit stupid ideas like 4 villains per film Feige will be able to push Sony in a direction that makes their fuckery work for once.

It's going to be interesting to see just how much 'pushing' Fiege can do on a film that Sony is fully financing.

I believe that this will be the first film that Fiege will (co) produce where he isn't at the top of the totem pole. Let's see how well he plays with others and vice versa.
 
It's going to be interesting to see just how much 'pushing' Fiege can do on a film that Sony is fully financing.

I believe that this will be the first film that Fiege will (co) produce where he isn't at the top of the totem pole. Let's see how well he plays with others and vice versa.

Again, why even give Kevin Feige a role if they're going to completely ignore him?
 
It's going to be interesting to see just how much 'pushing' Fiege can do on a film that Sony is fully financing. .
This type of arrangement happens all the time in Hollywood, a big ten studio paying a smaller one to produce. Just because a major studio is financing doesn't mean they make all the creative decisions. It all depends on the terms of the deal.

And here's the quote that specifically addresses your question:
Do you risk giving up any of your autonomy by working with Sony?

FEIGE Without getting into the contracts, it's definitely a Sony picture, produced by Marvel Studios. We've been working with each other for a number of months now. It's been just as healthy as any of our internal discussions. We just look at it as having additional team members. We wouldn't want to do it if we couldn't do it in the way we've done all the other movies, and I think that's what Sony wants from us.

And again, Feige already explains everything else there is to know about Marvel's role in the movie, and it's linked in my previous post. There's no debate here that it's primarily a Marvel Studios production.
 
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