To be fair a lot of the stuff has been changed simply because it looked like shit in HD. You could tell from the specials that they were hiding a lot of the TARDIS set and the sonic. Plus the old titles/time vortex looked horribly dated.
This is clearly the unedited, untouched MP3 direct from Murray Gold, and it shows a big problem with the Who production team - both RTD and Moffat's. The theme music in the actual show is cranked up so loud a ton of the details and little touches are lost.
Nice to see that, listening to that version, Gold kept the "crescendo" that was signalled by the piano in the Series 4 arrangement. The piano is gone but the feel is still there, mostly created by a choir. Good stuff.
New doctor is great. If we were getting into the differences between him and Tennant, I don't think he is as good at getting intense, but I think he is charming in different ways. And Miss Pond oh my.
yeah, that bit was akward for me, was watching with my gf and probably laughed a second or two longer than i should have
needless to say i got a glancing look, so good though
If you think you have it awkward watching Doctor Who with the gf, I have an extremely strong resemblance to Matt Smith (and his hair style). Well, it makes it more awkward for her.
If you think you have it awkward watching Doctor Who with the gf, I have an extremely strong resemblance to Matt Smith (and his hair style). Well, it makes it more awkward for her.
Thanks to the lack of camera lead right now, I will have to use this highly flattering photo from Facebook.
But I do tend to have my hair in that style most days, and wear the corduroy jacket daily. Sure, the new Doc wears tweed, but they're both old, which makes people think of the link too.
Aside from the new theme music/intro, I thought it was excellent. Some really nice bits of writing too; the whole "backup" exchange in Amy's house had me going. :lol
Looking forward to this series, could definitely be the strongest one yet.
I have to say I really liked this episode. I didn't like the new theme especially, but other than that it was all impressive.
I guess I could say that it was quite predictable - as soon as we got the name of the young girl and the Doctor said that he was popping five minutes into the future I knew what was going to happen, for example - and it was somewhat formulaic with the "OMG ALIEN AUTHORITIES ARE GOING TO DESTROY THE EARTH WITHIN THE HOUR" plot, but I really found myself liking the new Doctor and Amy. Good writing from Moffat, which we've come to expect, and I'm interested to see where he goes with their relationship. There are hints that it could go further than the fairly platonic relationships that the Doctor's always had with his companions, not least the similarity in their ages - physically, at least.
Anyway, I loved the part at the end with the visions of all the previous Doctors, the new Tardis looks good, and the trailer for the series looked to have some fantastic episodes. Here's hoping that Matt Smith keeps the gurning under control.
Woah, that trailer at the end was amazing. New Doctor seems like he can be good as soon as he starts being is own Doctor... felt too Tennanty but that'll probably pass.
Moffat said as recently as last week that he'd be absolutely up for doing a story with Captain Jack meeting the Eleventh Doctor if the timing is right, so I wouldn't write him off at least. Given the knowing way it was said I think it's a cert, in fact.
The good: Matt Smith. Holy crap, he knows how to act. He's very physical, he's very spastic, he's the Doctor on crack and yet he still figures out how to save the world at the end of the day. There's a certain joy that reminds me of Tennant, but the way he delivers his lines, with the tongue-in-cheekiness yet still diligent and always two-steps-ahead-of-you that Tom Baker used to show.
Karen Gillian. God she's gorgeous. And she manages to ventilate her frustration at the Doctor
leaving her alone for twelve years
without resorting to the melodramatic shouting of Rose and Donna. And she's gorgeous.
Little Amelia Pond. She's probably my favourite character of the episode. I find it difficult to believe this little girl's first acting-gig was here. She's a natural born actress.
Rory, whoever the fuck he is, is clumsy-yet-adorable enough for me to totally buy his character, unlike a certain Elton from Love & Monsters.
The cinematography. That's movie-quality. I like how it totally accomodates the script even during the slow moments, like
little Amelia waiting in the garden for the TARDIS to come back
. Whoever directed this must be commended.
The script. You know, I think I may have found my favourite Moffat script so far. I used to regard The Girl in the Fireplace as the Moffat story with its mixup of emotion and action and fear factor, but this one doesn't give you a moment to breath even when the plot has to settle for the small touching moments.
Murray Gold. Good old lovely Murray Gold, I don't get the hate you fuckers have for him. Best score in an episode yet.
Shit, I could go on and on. This is the kind of Doctor Who I became a fan of. The Eleventh Hour is easily in my Top Ten stories of all time.
The bad: The title sequence. For an episode that never stops its punches, the introduction credits are too slow. The previous series' title sequence had a more pumping velocity.
This is my favourite new-Doctor opening story of all time. The pacing is ridiculously fast, without ever leaving you behind. The action never stops. This is an RTD script through the lenses of Moffat. This is good writing. 10/10
Loved it every step of the way until he put the bow tie on, I can understand they are going for the genius doctor and his compansions are dumb shit, but tweak DT outfit.
And felt like I was watching a movie it was just sublime.
Yeah but citing him as an example of how Moffat is willing to use an RTD character is wrong given that RTD hasn't contributed anything constructive to the character (aside from his immortality which has gotten a bit taxing).
It shows that Moffat has the vision to produce something infinitely better than the RTD trash and I can't wait for the next episode. It looks spectacular.
Loved it. Lots of great lines, well handled character introductions and Matt Smith impressed the hell out of me. His mannerisms and delivery were fantastic. The nonsensical phone/virus bit was silly, but i don't care since everything else was so strong. Overall, the best opener this show has had.
Loving Amy Pond already. She's exactly what i want out of a companion.
The scenes with young Amy were excellent. The kitchen scene was classic. "Wrong with me? It's not my fault. Why can't you give me any decent food? You're Scottish. Fry something." Then the fish fingers and custard... :lol
The preview had me giddy as hell. Holy shit at the jump in quality of the art direction and cinematography.
Story was goodish I thought, a bit lightweight - but that's probably a pro rather than a con, when the DW stories get too heavy I switch off quickly.
Smith is probably going to keep me watching (It's on anyway, SonOfVennt is a DW fan now)
In fact Smith has definitely got the slightly insane / utterly cocksure nature of Tom Baker nailed, you can tell it was the Pertwee / Baker era of DW he has decided to tap into, which can only be a good thing, being the best DW era of them all.
Really great episode, though oddly I felt it gave the impression that it wasn't even close to how good the stand-out episode of the series would be. The dialogue was really solid throughout, even the parts meant for younger viewers managed to be charming. Also, Pond is a Goddess, if there are any awful episodes I'm pretty sure I'll be able to get through them by simply gawking at her.
Smith was quite the stand out though, maintaining this quirky naivety whilst whilst also appearing menacing, almost all powerful. Loved the end of the episode where he essentially stated he was the most powerful man in the universe.
Loved it. The Amy Pond origin story was really very well done, kinda touching and left you with no doubts as to why she would go with the doctor, yet without dragging the story down with melodrama and clumsy storytelling to try and develop the charactert as has plagued a bunch of previous assistant introductions. Matt Smith is wonderful as the doctor, totally neurotic, loads of awesome mannerisms, his cocky exuberance is a thrill to watch, and his performance is actually hilarious at time; i'm very impressed and was won over to him instantly.
The actual story of the episode could have been better, especially given the standard Moffat has set in previous series; the patrick moore teleconference thingy was poorly done and i dislike how they had to have the end of the world looming again, but the pacing was spot on, and the character stuff was all so good, especially the scene with young amy, that i wasn't too bothered. Very entertaining episode, and a great start to the series.