So far it sounds like Classic Mariah. So I aint complaining.
You mean the album is...
???
It's exactly the kind of album you'd expect from an uninspired, washed up, over the hill R&B Diva. It's not bad, per se, it's just not memorable. It's a very cohesive, yet bland album. Roy will inevitably like it. So there's that.
Fake edit: Meteorite is slaying.
This is as close as Rob will get to praising something not made by Prince, Rihanna, or Satancé.
dat Xtina bloat at the end tho. Should've ended at Camouflage, FULL STOPOk "You Don't Know What To Do" sealed the deal: the album is great.
Mimi Redeemed!
dat Xtina bloat at the end tho
Still, her best album in YEARS, decades even
I ran out of skips already.
We'll see if you agriH that Camouflage would have been the perfect ending pointYou don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know! You don't know!
I LIIIIIVVEEE
The track is genius, brilliant, I want to learn the chords on piano this very second, tears streaming down my faceCamouflage was amazing.
There's not a bad track on this album tbh
I guess she was skipping the already released stuffBut I thought you ran out of skips tho?
Conventional wisdom says X&Y is Coldplay's worst album, but amidst that record's shiftless bloat, there were real-deal highlights that hit with blunt impact and have since stood the test of time. Ghost Stories contains no such moments, and thus threatens to rob X&Y of its dubious title.
"Ink" is the album's most indefensible moment, musically and lyrically, and the song handily snatches the title of Worst Coldplay Song from X&Y's impossibly leaden, fuckin'-magnets stinker "What If".
The closest the record comes to a bona fide anthem is the moderately enjoyable "A Sky Full of Stars", a rocket-fueled single on the level of "Clocks" and "Speed of Sound" tainted by Swedish dance producer AVICII's cheap-sounding drum presets and boilerplate synth motifs.
Coldplay have become one of the biggest acts in the world since their comparatively modest debut, and as a result Ghost Stories' attempts to return to close-mic'd intimacy come across as out-of-touch as Lucille Bluth asking how much a banana costs.
it makes me sad that there will likely not be a hit from this album because nothing strikes me as radio friendly, but the album is so good
maybe meteorite?