One awesome line in that scene is Angela saying to William after she comes onto him, “If you can’t tell, does it matter?” which really summarizes a lot of the ethical conflict in the story.
Lisa Joy: Thank you, and it was a line we felt summed up some of the moral quandaries we’re examining here. People are very accustomed to playing a video game and plowing down a bunch of other characters in it and cheering because that’s how you win. But as the visuals become more and more sophisticated, you start to feel empathy, and it could get harder and harder to shoot – and should it? We’ve been looking at VR and it’s a whole new level of immersion. Watching it in a virtual reality environment it made me feel more morally complicit in my actions. Even if the characters are not entirely lifelike, what does it say about you that you can abandon yourself to the nihilistic act of destruction. It’s becoming a more relevant question.
Nolan: It’s also a way of articulating the Turing Test.
Then William has to make a literal big black hat / white hat choice…
Nolan: When you play a role-playing game, one of the first decisions you make is am I going to go good or bad? Committed gamers will play twice. The game’s narrative is designed so that whether you’re the bad guy or the good guy, you’re the guy, you’re still the hero of the story. And what we thought was poignant and sad about our host’s plight is they’re not allowed to be the real hero or villain. That’s a space that’s set aside for the guests. The guests get to be the stars.
I find it funny that, as writers, you made the least likable behind-the-scenes character the park’s writer, Lee.
Joy: You can’t take yourself that seriously. There’s also the dramatic irony of Lee Sizemore, the writer, has this operatic temper, and he’s very consumed by his craft. Meanwhile outside you have these poor hosts being shot and dying and he’s having this fit over a change in dialogue. It’s meant to underscore the ironic stakes and also pinpoint that the creative process draws all sorts of temperaments. Some of them are more flamboyant than others – and I promise you, I’ve seen worse.
Nolan: I would be careful to point out, James, that any similarity between Lee Sizemore and any working writer is purely a coincidence.
Should we be wondering if anybody on the backstage “showrunner level” is also a robot? Or is it impossible that, as experts, they wouldn’t be able to tell that one of their own isn’t human?
Nolan: I don’t even know where to begin with that question! I think it’s great you’re asking questions about the nature of the narrative. I’m very wary of twists that pull the whole rug out at once; you can get away with that in a movie but at some point the audience needs to have something to hold onto and believe in. So the surprises and twists in the show, we’re trying to keep the audience surprised and off guard but also giving them some concert characters.
Can you say if the Man in Black is hacking the game by his actions, or is everything he’s doing – from scalping a Native American to killing Lawrence’s wife – are those exactly the steps he’s supposed to take to reach this other secret level?
Nolan: As a reformed gamer I was fascinated in how any popular game is instantly scoured for mistakes or Easter Eggs. That programmers quickly realized mistakes could be deployed as Easter Eggs for the hardcore gamers who quickly work their way through the main narrative. So there’s sometimes a hidden narrative underneath. Now whether he’s right or wrong is a question we’ll continue to explore.
William is told he can’t get hurt in Westworld. But what about being hurt by another guests? What’s to keep a guest from stabbing him thinking he’s a robot? Is there a safe word?
Joy: We talked a lot about the rules of the park. A lot of it isn’t made explicit in the series but there’s something called the Good Samaritan Reflex within the hosts. So say you’re in a bar fight and some guy has a knife and maybe there’s even another guest that you didn’t know and he thinks you’re a host and he’s gonna stab you in the back. In that instance, a good Samaritan host would seamlessly intersect and get in that fight and literally take that knife for you. Now accidents can happen – falling off a cliff and things like that. But you know it’s mitigated somewhat because even the animals – aside from the flies – are hosts, so no horse is going to buck you to your death.