Speaking of chameleons, youre working with Madonna who is known for consistently reinventing herself. For you as a producer, is that a good thing because youre able to do whatever you want or is it a challenge?
DIPLO: I think with her I didnt know what to expect. I didnt know if we were going to actually make records or not. It was kind of like Id give her a week to see if the chemistry was there, but she was up for anything. I love when an artist gives a producer the confidence he needs to work with them, and Madonna was very very open-minded to my ideas. I really love that. A lot of times Im having to sell my projects and my ideas to them, but she was down from day one. Weve written about seven songs now, and hopefully maybe four or five will make it to the album. Ive done about three weeks with her, and were gonna do some more projects at the end of July. Shes just really cool. I think as far as artists reinventing themselves, she did it before anybody else. She kind of began that trend of actually coming back with a whole new look and style and sound and winning it and hitting the top of the charts. I dont think anybody had done it to that level. She works hard. In the studio, I was Googling her while I was working with her, and shes literally sold like 300 million copies of songs. Shes a force to be reckoned with. We had a lot of fun. Those records are gonna be crazy sounding. We really pushed the envelope with some of the stuff we were doing. The last night we were just having fun, and she was like, Yo, give me some of the craziest shit youve got right now, and we literally wrote a song that night on the craziest record I had. And it worked. All of the best songs happen on a whim. When I made Alex Clares Too Close, that record didnt make the album, he got dropped, and it became a #1 record in America. It was like the biggest Rock record of 2012. We made that high on mushrooms, not even thinking about it making the record. With Usher, we made Climax in literally like ten minutes. With M.I.A., I made Paper Planes on a roof in the Caribbean. No microphone covers, just recording right there outside. Every time we do something you never can expect when the magical stuffs gonna happen.